Novel writing software that keeps the whole story in view.
A novel is too long to work on comfortably as one document. In Wryte every chapter and scene has its own place in the sidebar, so you can move a scene by dragging it, and open just the one you’re writing.
Start with chapters, scenes and sketches.
The Novel template opens with a chapter and a first scene in the Manuscript, and Research folders for characters and places, plus a page for loose ideas. The character sketch is a sheet of questions (what they want, what stands in their way, how they change) to duplicate for each new character.
Novel template
Manuscript
- Chapter One
- Scene OneWhere it all begins.
Research
- Characters
- Character SketchDuplicate this sheet for each new character.
- Places
- Setting SketchDuplicate this sheet for each new location.
- IdeasLoose threads, what-ifs and fragments.
Character Sketch
- Name:
- Role in the story:
- Physical description:
- Personality:
- What they want:
- What stands in their way:
- How they change:
⌘1 ⌘2 ⌘3
A card for every scene.
Lay a chapter out as index cards to see all its scenes at once. Colour each card by point of view, give it a status, and drag it to a new place in the chapter. Then switch to Read Through to read the chapter as one text.
The Weight of Small Boats / Manuscript / The Slipway
The Slipway
The tide had gone out further than Nell had ever seen it, as if the whole channel had drawn a breath and was holding it.
Her father’s dinghy lay on the slipway with its bow turned to the town. Someone had hauled it up past the weed line and chocked it with two bricks, neatly, the way you’d leave a thing you meant to come back for. The oars were gone. So was the name.
She crouched by the transom. Where Margaret had been, in her father’s careful white capitals, there was a square of fresh grey paint, still tacky under her thumb.
‘You’ll leave a print,’ said a voice behind her.
Nell didn’t turn round. She knew the voice, and she knew that Ruth Calloway had been standing there long enough to watch her decide whether to cry.
‘Who painted it?’
‘Not me.’ Ruth’s boots came down the ramp, slow on the green boards. ‘Found her drifting off Bruny on Thursday. Oars shipped. Nobody aboard.’ A pause. ‘I’m sorry, love.’
The water, a long way off, made a small sound against the rocks, the sound of something being put down carefully.
Nell pressed her thumb into the grey paint until it came away clean, and under it, faint as a vein, a letter that wasn’t an M.
Ruth kept the harbour office the way other people kept a diary: every boat in, every boat out, the weather in the margin. Nell had grown up reading it upside down across the desk.
Thursday’s page said only Margaret, found adrift, 7.40 a.m., towed in. The handwriting was steady. The ink was not quite the same blue as the rest.
‘You wrote this later,’ Nell said.
Ruth closed the book. ‘I wrote it when I had time.’
It took the whole afternoon and most of a tin of stripper. The grey came off in soft curls, then her father’s white, then a blue she’d never seen on any boat of his.
The second name was shorter. Four letters, done by someone in a hurry, the last one trailing off the edge of the plank.
She sat back on her heels and read it twice, and then she went to find a phone.
Tom came off the last ferry with one bag and the look he’d worn since he was nine, the look that said whatever this was, it had started without him.
‘Two days,’ Nell said.
‘The roads were shut.’ He looked past her at the slipway. ‘Is that her?’
‘That’s her.’
He didn’t go down. He lit a cigarette instead, cupping it against a wind that wasn’t there, and Nell understood that he had already decided not to be sorry about anything until he’d been told what it was.
They made the list on the back of a tide table, because it was the only paper in the shed.
One oar, the left. One oilskin coat, the old yellow one. The good torch. Their father’s reading glasses, which he never took out on the water.
‘That’s not missing,’ Tom said, when she wrote the last line. ‘That’s just something you think.’
She left it on the list anyway: one lie.
Low tide
Revised DraftNell finds her father’s dinghy hauled up on the slipway with its name painted out.
Nell218 words
The harbourmaster
First DraftRuth says the boat was found drifting off Bruny Island, oars shipped, nobody aboard.
Ruth77 words
Paint
First DraftScraping the hull, Nell finds a second name under the first.
Nell75 words
Last ferry
First DraftTom arrives two days too late and not the least bit sorry.
Tom88 words
Inventory
In ProgressThey list what’s missing from the shed: one oar, one coat, one lie.
Nell71 words
What Ruth knows
To DoRuth recognises the second name, and changes the subject.
Ruth0 words
1987
To DoTheir father, young, rows out to meet a boat that isn’t on any chart.
Flashback0 words
Night crossing
To DoTom takes the dinghy out alone, without a light.
Tom0 words
| Title | Synopsis | Status | Words |
|---|---|---|---|
| Low tide | Nell finds her father’s dinghy hauled up on the slipway with its name painted out. | Revised Draft | 218 |
| The harbourmaster | Ruth says the boat was found drifting off Bruny Island, oars shipped, nobody aboard. | First Draft | 77 |
| Paint | Scraping the hull, Nell finds a second name under the first. | First Draft | 75 |
| Last ferry | Tom arrives two days too late and not the least bit sorry. | First Draft | 88 |
| Inventory | They list what’s missing from the shed: one oar, one coat, one lie. | In Progress | 71 |
| What Ruth knows | Ruth recognises the second name, and changes the subject. | To Do | 0 |
| 1987 | Their father, young, rows out to meet a boat that isn’t on any chart. | To Do | 0 |
| Night crossing | Tom takes the dinghy out alone, without a light. | To Do | 0 |
| 8 scenes | 529 |
A sample novel, written for this page. In Wryte, the same three views work on any folder.
Keep track of everything else.
- Tags for characters and places, so you can find every scene Ruth is in.
- Links with [[ from a scene to a character sketch, and back again.
- Checkpoints (⌘5) before you take a chapter apart, so you can always go back.
- A daily goal and a manuscript goal, with a writing history and streaks.
- Focus Mode (⇧⌘↩) to hide everything but the page you’re writing.
⌥⌘E
Export
When the draft is done.
Export a Submission manuscript for agents in standard format, a Paperback PDF at a trade size, or an Ebook with your cover. Send your editor only what’s changed, as tracked changes in Word.
